I like my Earthworks SR30s and QTC40s better for drum overheads than my SM81s, when used through a good tube preamp that smooths out the cymbals (I use a Sebatron vmp). very low handling noise, and nearly impossible to pop. i have an sr69. Any of the songs that use live drums have 81s as overheads. Small diaphragm mic test on acoustic guitar for magazine story. Will it set itself apart from my other mics? I used to mike guitar cabs with Earthworks mics, when I owned them. Condensor: Earthworks SR25 (cardioid) are the overhead mics used in the "live" Drumkits and are well worth it. But I don't see it working out great on cabs. There great mics and if you can get them for that proce, get them!!! The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. I'd love to say it would be used for some delicate string or acoustic recordings, but those gigs don't seem to roll through that often for me. What direction do you want to go vs. your C4 pair which you like? Brighter? Its near-perfect cardioid polar pattern is consistent across all frequencies, simplifying mic placement and ensuring more gain before feedback. guys... much appreciated. Specifically the KM184's? Cabs and SDC's just don't seem to get along for me. For me, the tc30's sound great! A tightly controlled cardioid capsule keeps you in control of your sound, eliminating phasing issues and bleed that muddy your sound. Create a username and password below and an account will be created and your post entered. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Take a look at the KEL HM-1 as a OH'S mic, they sound pretty good. Is it really that dreamy of a difference? The tracks sounded fine--exactly like the cab's output. Usually sounds great. Smoother mids? You can check out my website to hear some tracks done w/ SM81s. When I need a quick acoustic guitar part, I use my SR20. The high end is pleasing on cymbals and doesn't hype anything. they sound pretty good with fair dose of eq. Yes, thinking back over your C4's what qualities would you look for by comparison? The SR25 provides a transparent sonic character with a 20 Hz - 25 kHz frequency response, faithfully capturing every detail along the way. You can get some really good results just with them and a kick mic too. Your asking gear slutz if you should buy a nice microphone? I have an opportunity to get an Earthworks SR20 for $200. Because I only had one SR69. The KickPad A good kick drum microphone needs to be designed and optimized for that specific purpose. A mic as versatile as you. SR25 Cardioid Condenser Mic. I’ll be honest — although I had five or six opportunities to use it as a live vocal mic, I couldn’t get myself to do it. The Earthworks SR25 is a stainless steel workhorse. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. Ok then! Very useful info. Hey there! When you buy products through links across our site, we may earn an affiliate commission. Very high quality detail and depth, as Tiny mentioned. Recently heard an aea r88 (with the aea trp pre) being used as overheads and it sounded really good too. I love the way they are able to accurately pickup acoustic instruments, and overall, I think they sound great.
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