Learn More. Matter of fact, they were champions. In all its naked glory, the capsule mount reveals more great design. As I slid my fingers from fret to fret, the sound was crisp and alive. These are as simple to assemble as the lowliest of the workhorse dynamics. But the NTK was the holy grail for me of sorts. RODE NTK Tube Replacement Results. There is nothing on either RØDE mic you’d ever call cheesy or flimsy. Like about all tube mics, it gives that good warm tone to the sound. Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k( load) My production now stacks up better on-air against the bigger studios. Finally, I sold it and bought this mic. The cheap chinese tube misleads you on the sound of this mic. Dynamic Range: > 147dB (A-weighted, per IEC268-15), Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k( load) If you say it's no good, you don't know how to use it. I had both mics apart and back together in moments – we’re talking ten screws and a setscrew for the jack. Now is the perfect time to get the gear you want with simple, promotional financing. Written: February 28, 2001. They’re tanks. It was like putting monster truck tires on a Alfa-Romeo: harsh,hashy,stiff and distorted!...Rode probably thinks that the NTK mic won't be used by discerning clients anyway and the cost of a good tube would increase the price just enough to make it a bit more costly...which would discourage the amateur client or aspiring engineer unwilling or currently incapable of spending very much... Summary: Killer specialty mic for professional studios. For a given amount of money, you want to spend it mostly on the sublime, and the NT1000 and NTK put the sublime first by brilliantly executing every mundane detail of the ordinary. You never have the feeling that you could possibly damage this microphone. Everything I recorded with this microphone came out sounding exactly like I imagined it would in the mix, with no perceivable coloration of tone. I was amazed by the clarity and warmth of the NTK.Lets be honest, most well known microphone brands trade on their name.I have auditioned most brands out there, and can say with the greatest of confidence that you dont have to spend $7000 to get a good sound. Henry Ford would love these microphones. ;), I've used this mic for about 5 years! I tested it alongside the Neumann U87ai, and the Rode had a superior high end register devoid of hash compared to the U87, which was superior in the low mids. While a mic that runs upwards of $500 might not seem "cheap" to some, I consider it a steal considering how high prices can get for condensers. It’s well worth the $4 to avoid the frustration of having to send back a noisy or gassy tube. It sounds Warm and rich. Every aspect of the NT1000 and NTK is pure class. That's like asking if blue is good or orange is bad. Some tube designs sound almost compressed. Another great mic by Rode. You just don’t see too many mics that look anything like this on the inside. This is an impressive mic... Good build quality, great to use and excellent audio quality. Every detail is there, crisp and airy but still full-body. First thanks to Joe Milne for putting on to the NTK. I have since sold the Avalon, and I use my NTK daily while the Neumann sits lonely in its box. I can almost hear Lloyd Bentsen saying, “Sir, I knew Groove Tube. The tube circuitry in this mic doesn’t top out until well past the threshold of pain. I've spent many years obsessing over the best mics for voiceover, and have always come back to this one even after taking the plunge on a gently-used Neumann TLM103. These are world-class specs in every dimension, both in what you hear (lots of wide-ranging signal) and what you don’t (noise). In terms of microphones this means: NEUMANN M149 TUBE, AEA R84, and so forth, to give you a quick idea. It can take a beating from loud guitar or vocals and it delivers a smooth warm tube sound to your mix. I use the Rode through an Aphex 207 pre, an ART Pro VLA compressor, and then an Aphex 204 Exciter (w/big-bottom) before the Presonus Firebox takes it to digital. Caveat: No midrange response to speak off compared to high end mics. Imaging-wise, it gives a vocal a bit of spread and fullness without losing a bit of punch. I purchased a much higher priced mic for vocals from Sweetwater. Equivalent Noise:12dB SPL (A-weighted per IEC268-15) +/-2dB Don’t take my word for the sound. This company continues to surprise me with their affordable great sounding microphones. For enhanced performance, get the SM6 shock mount and pop filter. You can pick them up cheap when they end up on ebay. I have owned this mic for about 7 years now, having purchased it from Sweetwater, as a recommendation,I have been in audio since 1988, and have been exposed to many top of the line vintage mic's - I have relied on the NTK day in and day out , year after year- it is my go to microphone for silky vocals, and beautiful warm acoustic guitar. The stand-mount retainer is nicely weighted, too, and threads on and off with ease. I use the NTK in my project studio.
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